Lauren Deyo
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: The work philosophy that I observe is straightforward, get within the studio and work every single day on one thing artistic that provides worth to my artwork. This apply is extra like an perspective. It retains me exploring and experimenting with new supplies, utilizing completely different instruments, and including shapes and marks to my work. This course of opens me up irrespective of the outcomes.
Q: WHAT ARTISTS INSPIRE YOU?
A: Present artists who’s work I love Peter Vahlefeld for his daring combined media artwork with graphics I really like. His work is up to date with a touch of “avenue artwork” really feel.
Q: WHAT IS THE BEST ADVICE YOU’VE RECEIVED?
A: There’s numerous advise for artists on the market. One of the best: work every single day, imagine you’ll enhance and the work will evolve. Additionally, don’t depend on different’s opinions of your work.
Q: WHAT DOES EXHIBITING AT ART SANTA FE 23 MEAN TO YOU?
A: It is a first for me, exhibiting at Artwork Santa Fe. My objective is to seek out further gallery illustration. I work rapidly. My stock grows and must be shared with others in galleries in search of a passionate, energetic artist.
Barbara McCullouch
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: Though I method my work to make artwork, I’ve lengthy since realized is that artistic time spent centered by myself private inventive development and creativity permits the act of inventive creation to etch deeper which means into my work. Merely, I prefer to say that “whereas artists could also be making artwork, artwork is definitely making the artist”. We artists as people, past our work, develop into extra observant, delicate, curious, and intuitive.
Q: WHAT ARTISTS INSPIRE YOU?
A: My work begins with time immersed in nature, quietly permitting my senses to soak up the expertise as totally as attainable. These are moments of elegant transcendence and likewise moments that shock me with a robust jolt of consciousness of magnificence and connectedness. I permit these moments in time and place to relaxation inside me till I really feel my arms needing to precise my coronary heart with area notes of collected colours and motion of pure strains. The inspiration that I obtain from life, whether or not fauna or flora, is the notice that each one life is intrinsically related. This sense of awe runs by way of me and into my portray, no matter supplies or approach, and is normally expressed as interpretive abstraction. Modulated colour utilized with a lyrical brush turns into my favourite strategy to specific my appreciation for the great thing about nature.
Wassily Kandinsky, 1866-1904, grew to become my hero for his ardour to be unbiased of the standard salon painters, devoting himself to exploring the inside depth of summary artwork. Studying Regarding the Religious in Artwork gave me an consciousness of the ability of summary artwork to be a transcendent car in my very own religious life. Kandinsky’s comparisons between artwork and music stay with me as I select interpretive colours for my very own compositions. He wrote: ”Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand which performs, touching one key or one other, to trigger vibrations within the soul”.
Q: WHAT IS THE BEST ADVICE YOU’VE RECEIVED?
A: “It’s not all about you.” After I keep in mind that my work is a conduit between my inspiring expertise and my viewer’s curiosity, it humbles me into taking accountability to supply the deepest expression of that second attainable. Virtually talking, that recommendation helps me let go and work with joyful ardour and separate the method from the outcomes of the viewers’ opinion.
Q: WHAT DOES EXHIBITING AT ART SANTA FE 23 MEAN TO YOU?
A: I’m thrilled to supply my collection “Southwest Visions” for publicity to regional in addition to nationwide and worldwide galleries. Along with showcasing my work, I will probably be delighted to signal my new ‘award-winning’ artwork workbook, The Unstoppable Artist.
Bette Yozell
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: Every of us has a singular means of decoding our visible experiences. For me, noticing and recording the world round me, has at all times been crucial.
Q: WHAT ARTISTS INSPIRE YOU?
A: Moe Brooker, Rembrandt (particularly his etchings), Klimt, Mucha.
Q: WHAT IS THE BEST ADVICE YOU’VE RECEIVED?
A: “Kill the artist earlier than he kills the portray”
Q: WHAT DOES EXHIBITING AT ART SANTA FE 23 MEAN TO YOU?
A: I’m happy to have this venue for displaying my most up-to-date work to a bigger viewers.
Carol Tippit Woolworth
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: Making artwork is difficult work. It takes dedication, a wealthy creativeness, and an obsessive persona. This trio of parts has serviced me nicely over the course of the 40+ years I’ve spent portray and creating 3D sculptures. What has additionally been of service is the conclusion that none of it comes simply. Every bit is a battle of self and ability, constantly fought by way of to an finish, in an effort to obtain one thing profound, lovely; one thing which faucets into my inside most being and spits out a piece worthy of spectators, of collectors, of myself. The wrestle is the enchantment, it’s one thing deeply sensed inside each bit, enjoying with ones feelings and ones understanding of the world and the way it works.
Q: WHAT ARTISTS INSPIRE YOU?
A: My go-to artists are the Bay Space Summary Figurative painters: Diebenkorn, David Park, Elmore Bishoff. Currently I’ve been branching out as I search to discover a means by way of portraiture, so Marlene Dumas and Alice Neel have joined the gang, and their books are opened up in my studio for inspiration. The freshness of those artists, and the spontaneous means they seize folks, landscapes, and metropolis scenes has remained an necessary useful resource to my schooling as a painter, as has their honing away at element and opulent use of colour. Their boldness in portray is my journey.
Q: WHAT IS THE BEST ADVICE YOU’VE RECEIVED?
A: Paint for myself and don’t edit.
Q: WHAT DOES EXHIBITING AT ART SANTA FE 23 MEAN TO YOU?
A: 2022 was the primary yr I exhibited right here at Artwork Santa Fe. It pushed me into one other realm of showcasing my work in a gorgeous, nicely organized setting, the place I could be accountable for mywork. Being at ASF I grew to become a part of a beautiful world of proficient artists from throughout the nation and past, together with the artwork patrons who roamed the exhibition area all through the weekend, having fun with the countless number of work represented. I sit up for a repeat this yr!
Conrad Bobiwash
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: My pondering on Artwork is that there’s an countless nicely of inspiration within the pure surroundings. My creativity arises from the shapes and varieties in nature and when joined with the apply of the weather of design, creates a singular universality of emotions, colours, strains, and shapes that invoke emotional responses or remembrances of the previous or current.
Being raised on the land actually helped develop the spirit of motion and colour, the land is my anchor and I’ll return to the land someday.
Q: WHAT ARTISTS INSPIRE YOU?
A: Artists that impressed me are Monet for colour patterns and Lloyd Kiva New for creativity. Lastly, Chagall for his spirit to create.
Q: WHAT IS THE BEST ADVICE YOU’VE RECEIVED?
A: Work every single day, doing drawing and sketching, these are the sources of every thing we develop.
Q: WHAT DOES EXHIBITING AT ART SANTA FE 23 MEAN TO YOU?
A: The publicity to new creativity in supplies and pictures in addition to assembly with some nice artists.
The hosts of Artwork Santa Fe are skilled and actual within the look of the present. Assembly like-minded folks is the reward for my attendance. Guests and collectors are on a mission and gather pictures which can be vital to their being as folks. Artwork evokes and awakens their spirit. It is a nice present for brand spanking new collectors and seasoned treasure hunters.
Elaine Duncan
“Portray is sort of a dance for me. I really feel that I’m a accomplice with the paint and the canvas. It’s a bodily act of rhythm, texture, floor and subsurface, at all times shifting, at all times in flux. I’m deeply influenced by the spontaneous creativity of shifting by way of area with my physique. Primarily, I would like the paint itself to direct the work with as little interference from my cognitive, rational self as attainable. This act of spontaneous “selflessness” is deeply gratifying and at all times a revelation. My course of these days is to distill the motion on the canvas to as few brushstrokes as attainable. This intention is to seize the second, the motion, the circulate.
My influences embrace Helen Frankenthaler, Franz Kline, Robert Motherwell, Howard Hodgkin, and Cy Twombly to call just some.
On the age of 60, I felt the necessity to embark on a brand new chapter in my life and that’s once I began portray and dancing. I’ve been blessed with a lifetime of expertise, each tragic, lovely and uplifting. I’ve seen the world and it’s challenges, primarily in Africa and at house, and my need is to stay lively for the many years I’ve left. I’m enormously grateful for my good well being and this superb life I’ve led. It doesn’t cease right here. The doorways are flung vast open to new prospects.”
Jillian Gamble
Q: WHAT IS YOUR WORK PHILOSOPHY AND HOW DOES THAT IMPACT YOUR WORK?
A: To create as a lot as you’ll be able to as a result of I’ve discovered that the extra I can produce the extra my work grows and develops. Plus, I’m going to get good items, and horrible items, so the extra I could make, the extra doubtless I’m to create work I like.
Q: WHAT ARTISTS INSPIRE YOU?
A: Summary expressionist and impressionist artists, principally. Claude Monet for his thick brushy marks to interpret nature. Helen Frankenthaluer for pushing the boundaries of summary expressionism and never letting the lads within the area overshadow her. Betty Franks for her vibrant interpretations of nature.