Some might have questioned whether or not flowers might nonetheless be a related motif in up to date artwork as we speak after some main floral artworks didn’t please sure critics at Frieze London just lately. However a sure thoughtfully curated flower-themed artwork exhibition staged by a historic fragrance and sweetness model in Paris might go a sure method towards restoring religion within the colourful blooms as among the many most enigmatic and provocative topic for artists from around the globe.
Curated by Hervé Mikaeloff, a curator and artwork marketing consultant primarily based in Paris, the exhibition “Les Fleurs du Mal” (“The Flowers of Evil”), which pays homage to the poetry of Charles Baudelaire, is a pleasant shock. It sheds a brand new mild on the fantastic thing about flowers and floral artworks, and the methods they symbolize the fragility and sensuality of human nature and feelings.
Opened through the week of Paris+ by Artwork Basel throughout three flooring of Maison Guerlain, the historic boutique of the eponymous 195-year-old florist, fragrance, and skincare home on Avenue des Champs-Elysées, the exhibition options works by 26 worldwide artists. They arrive in a variety of media—from work and sculptures to images and installations—and there’s no lack of compelling, memorable items.
Hymne à la Rose (2022), by the Madagascar-born Joël Andrianomearisoa, for instance, is a site-specific sound set up that includes 42 metallic sculptural roses in a darkish room crammed with the vocals of Moroccan singer Hindi Zahra and Guerlain’s perfume Épices volées.
A pair of rose sculptures by the Tel Aviv–primarily based Roni Landa might look strange at first look, nevertheless it provides a jolt when the viewer realizes how erotic it’s. There are additionally extremely symbolic photographic works by the famed Japanese artist and photographer Nobuyoshi Araki and Chinese language artist Jiang Zhi, and a uncommon 2012 watercolor by Anselm Kiefer that’s vastly completely different from the heavy, monumental works for which the artist is best identified.
The exhibition’s opening additionally coincided with the launch of the Lee Ufan Arles and Maison Guerlain Artwork and Atmosphere Prize. A jury presided over by the Korean-born artist handpicked the French artist Djabril Boukhenaïssi because the winner and 4 different finalists among the many 381 functions. Boukhenaïssi might be awarded a six- to eight-week residency alternative adopted by a solo exhibition within the Espace MA of Lee Ufan Arles in summer season 2024.
“Les Fleurs du Mal” runs till November 13. Under are a number of the highlights from the exhibition.
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