In the event you have been going to attempt to summarize the zeitgeist primarily based on the choices alongside the aisles at Frieze London (October 11–15), which opened its twentieth anniversary version to VIPs yesterday, the proof would possibly shock you: it actually looks like all the things is arising roses.
With sellers on their again foot as jitters proceed to ripple in regards to the cutting-edge enterprise, the gambit this yr was to enchantment to our world-weary eyes with a colourful dose of caprice. Floral artwork, delicate pastoral scenes, and playfully surrealistic nature that was extra storybook than sci-fi have been seemingly on each nook of the honest. Whereas some would possibly write it off as low-hanging fruit, lest one overlook that artwork is meant to be, amongst different issues, a balm for the instances.
Probably the most sizeable iteration of this new flare for botanics was to be discovered, maybe unsurprisingly, at Gagosian, the place British artwork star Damien Hirst continues to strive his hand at portray, this time in a brand new collection known as “The Secret Gardens Work” (2023)—the maximalist canvases have traded cherry bushes for fields of untamed flowers at an intimately shut vary, atop of which he layered his signature paint splotches.
At Casey Kaplan, Kevin Beasley’s solo presentation struck the same tone, with new works that merged flora and home components. A collection of 4 Backyard Home windows depict imagined landscapes in a surreal exterior world that would have been drawn from a fairytale. Simply in entrance, a custom-built grandfather clock with a fragile hand-painted face nonetheless intact has been reworked with resin and different components. The piece’s title, On Time: For Benjamin Banneker and Peter Hill an English Motion (2023), layers in historic heft with its nod to the Black scientist and clockmaker.
François Ghebaly’s group presentation was seamlessly built-in to create a fantastical scene, with works by Farah Al Qasimi, Marius Bercea, Max Hooper Schneider, Patricia Iglesias Peco, and Jessie Makinson. At Clearing, Marguerite Humeau’s wind-activated devices have fanciful root constructions and a trio of color-filled, cloudlike wall items have divinatory-like symbols etched onto them.
And Pilar Corrias, who has simply expanded in London with a brand new flagship in Mayfair, had a showstopper sales space that includes German artist Sophie von Hellermann that was uplifting and as dreamy as will be. Wisps of paint strokes utterly coated the carpets and partitions in vibrant splashes of shade. The central factor of the presentation, which is titled “Dreamland,” is a collection of washy pastel works depicting ferris wheels, curler coasters, and carousels.
“A day spent at a seaside enjoyable honest, in all its depth, can really feel like a complete lifetime of goals and needs compressed into a number of hours of a day,” the artist stated in regards to the new works. And, so far as this explicit thread of artwork went, such a temper was disarmingly true of the white tent this week as nicely. Take a whirlwind tour across the honest.
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